What is Embroidery Digitizing?

A specialized process in which a simple logo design is converted into embroidery pattern is called embroidery digitizing. The pattern is either designed for a machine or a person to follow the lead. The process basically converts all parts of design into stitches. A computer program is used in this process and that is the main reason why it is called digitizing. You can find information about various digitizing softwares that can be used to punch a logo. While digitizing, the digitizer not only converts the design but he can also see the output image with the help of software too. This gives him an idea how a logo will look after stitching on fabric.

How Does Embroidery Digitizing Work?

Initially, the logo is loaded in digitizing software and then different colors are separated from each other so they can be converted into embroidery patterns. There are two common ways to digitize an image. One is by separating all the colors and digitizing them individually and the other is digitizing all color sections collectively to give a blending look. A digitizer must know the purpose of a design because results produced by both methods differ from each other.

Learn With Examples

If an embroider wants a flower image to run on a fabric, he would like to blend all the colors together so the digitized image gives a natural look. On the other hand, a company logo also consists of different colors that should be distinguished from one another to give a better shape to the final digitized logo. An advanced embroidery digitizing software can tell if the colors in a design should be blended or separated for better results.

Why You Need Embroidery Digitizing Service?

You may need digitizing services for your personal, casual or business needs. If you want your favorite cartoon character to get embroidered on your T-Shirt, you will need services of a digitizer. If you want to get your company logo embroidered on official uniform of employees, you will need to hire a digitizer. One more possibility is that, you can also learn how to use digitizing software too.

Difference Between Advanced and Basic Digitizing Software

First of all, you will have to buy digitizing software. Advanced software will be quite expensive and you may not be able to afford it. You can go for basic punching software that will not have a lot of features but it will be good enough to teach you how to digitize a logo.

Can You Learn Embroidery Digitizing?

The question that may arise in your mind is; whether you can learn how to digitize or not? Well, this is a technique that needs years to master. Not everyone can become embroidery digitizer because you need to be good at computer and machine embroidery at the same time. You should know how different threads work with different fabrics and how you can get better results for your logo. Being a digitizer you need to keep yourself updated about latest trends in embroidery industry and also the digitizing industry too.

What Is The Best Solution For You?

If you still want to learn embroidery digitizing then you should get ready to invest your time and money in the learning process. You should spend digitizing a design and then running it on machine to see the results. However, this process will take a lot of time. The best thing that you can do is to hire an embroidery digitizing company. Such companies not only offer high quality digitizing services but also offer very affordable pricing too.


A stress- relief Hobby

Needlework is a term that is used to two classes of handcraft involving fabric. One is hand embroidery which is the adornment of a fabric by design worked in thread with the needle. The second class of needlework includes methods of forming a single thread or strand of threads into a loose-or tight-textured fabric. The best known of this method are knitting and crochet.

Hand embroidery silk fabric is one of the most interesting forms of stitchery. It uses needle and thread to create a variety of stitches on fabric. Many styles of embroidery exist. Some are used to make attractive design and decorate areas on a piece of cloth, usually linen. Other styles, particularly needlepoint and bargello, are used to fill in with pattern and openwork mesh canvass completely. Frames and hoops are required to hold the fabric in tension.  Further requirements include embroidery needles,embroidery silk fabric,  scissors, and colored thread generally silk or wool.

embroidery silk fabric stitches maybe functional like the stitches in non decorative sewing or they could be purely decorative. In appliqué work, contrasting and varying pieces of cloth maybe securely fixed to the foundation material with decorative stitches. In smocking, decorative stitches secure gathers of folds which have been previously created in the foundation material. Decorative stitches are known by such names as chain stitch, blanket stitch, featherstitch, French knot, satin stitch, Cross stitch, lazy-daisy and tent stitch or petite point. The thread typically used is silk, wool, cotton, or linen. Fine metallic wire and, in some 20th century work, synthetic filaments are also utilized. Heavy or precious threadlike gold threads are sometimes embedded, that is laid across the foundation fabric and tied to it by stitching with a separate thread. Some hand embroidery silk fabric techniques produced a basically flat surface while others produce design that creates a padded effect. In cutwork, small shapes are cut out of the foundation material and then the cut edges are embroidered. The vacant space from where the cut is made is often filled in with decorative stitches. In drawn work, certain threads of the warp, west, or both, are removed from the foundation, and the remaining threads are embroidered. Some types of hand embroidery are referred to by the kind of threads used such as crewel work which makes use of stitches in brightly colored worsted wool yarns on natural beige or bleached white linen. Other kinds of embroidery are referred to by the type of foundation material used such as gauze embroidery. These include filet embroidery which is done on a net like fabric and canvass work where the stitches are done onto course-or tight-textured canvass.

Hand embroidery was being done by people usually women long before its name was derived, by way of medieval French from the Anglo-Saxon word for “Edge”. The term was first referred to decoratively stitched borders on medieval church vestment and garment. Over time, the word also covered stitched decoration on textile fabric, as well as on leather, paper, among others. Although the invention of the first embroidery silk fabric machine in 1828 by the Alsatian Joseph Heilman made possible the mass production of embroidery, embroidery continues to be practiced as a handcraft in the same way it was in ancient times. Its historical function has also carried on, as embellishment for clothing, vestment, wall hanging, and domestic linen, as well as decoration for upholstery, domestic furnishing, and rugs.

Digital Printing on Fabric

In the year 2016, the fashion runways were filled with intricate prints that are unique, enigmatic and full of artwork. Behind this profusion of pattern is digital printing technology that is used for different types of clothes be it Silk, Satin, or Cotton.

Talking of designers, printing a pattern or image on a piece of cloth is a very big task. Therefore, digital printing is needed which can be done on large reams and rolls of fabric or applied to smaller garments such as T-shirts printing, shawl printing, stole printing, saris printing, etc (popularly referred to as a “direct to garment” mode).

But not all the designers embrace digital prints. This is because of not having deep and clear hues of screen prints (as the ink doesn’t soak into the fabric as thoroughly). Also, skilled technicians are needed who has the thorough knowledge of the technology being used.
“You have to have a great hand with the computer.”

Advantages of digital fabric printing

1. Bringing custom printing to consumers

Fabric printing companies such as majestic utilizes the digital printing technology in order to create custom prints for designers as well as consumers. All they need is a digital image be it a photograph, pattern, or a sketch, and the type and size of fabric to be used be it a yard or 50 yards.

On the whole digital printing allows the designers as well as consumers to have a custom printed fabric at a minimal cost in limited time.

This has the effect of expanding both the number of designs available and also the pool of artists who are experimenting with fabric design as a medium.”

2. Technology equals speed

Speed is a very big factor when it comes to fabric printing. In the fashion industry, the trends change very frequently and they are needed in a very short span of time. Therefore, it is very important to be able to clearly communicate the end result and do it quickly. That speed is, even more, critical in a time when Internet sales are increasing and product demand is higher than ever.

Internet sales is changing the fashion industry and you can never predict the amount of products you may need tomorrow. Therefore, if you are not fast, you cannot cope up with the competitors.

3. A level playing field

In the same as music and video, the printing field has also become very democratic. A lot of emerging designers are doing their best to break into the business and get their clothing into the marketplace. For them, digital printing technology is a boon.

4. Designers in control

Initially, the designers and the production department were separate and a lot of confusion was created when it comes to print a certain pattern. As a result, designers had to compromise with the designs. With the advancement in printing, the middleman has been eliminated.
Designers now have the ability to control the whole production process.


What makes digital fabric printing so sought after today is the fact that the whole printing process is highly time-efficient. Contrary to the earlier methods, there is no intermediary step of printing onto paper and then transferring the print on fabric. So there is no requirement of screens.

Depending on the fabric being used, there may be a possible requirement of pre-treating the fabric to ensure that the color is more long-lasting and available in a larger range of shades

Get Your Apparels Customized In Your Favourite Embroidery Pattern

am a big fan of silk ribbon embroidery done on custom apparel. In this embroidery form, narrow silk ribbons are used to produce a unique look. Floral patterns and leaves have a three-dimensional appearance that embroidery floss cannot equal. Ornate embroidery styles such as Victorian often call for silk ribbon. Then, there are wool embroidery types. Embroidery types rooted in folk art traditions are often worked in wool threads. Berlin embroidery and crewel embroidery, also known as Kensington embroidery, both derive their signature look from the use of wool threads. Bargello, a type of geometric embroidery, features wool stitches on canvas.Artisans also produce many types of embroidery with cotton embroidery floss, including white work, black work, counted cross stitch, Dresden, and Swiss. You may also find custom men apparel in USA in speciality embroidery fibres. Some types of decorative needle work use specialty fibres that are essential to their genre. For example, Arrasene embroidery, popular during the Victorian era, relied on fine, chenille-type Arrasene threads made from silk or wool fibres. Gold metallic threads give gold work embroidery its richly deserved name. You can get medium defined embroidery types too. The media upon which artisans embroider designs sometimes determine embroidery types. For instance, some artisans who stich and decorate tea towels and household linens practice huckaback embroidery. Huckaback is an absorbent, durable fabric with a raised weave that accommodates delicate, geometric stitched designs. Net embroidery, with decorative designs stitched on netting, is another example of a medium determining the name of the style.

Some broad embroidery categories have descriptive names, and so do some very specific categories. They may be named according to the technique, era, or appearance of the needlework. For instance, there is something called crazy work. This decorative stitching that embellishes randomly pieced crazy quilts is named for the seemingly unplanned appearance of the stitch work. Embroidery follows the stitching lines of the fabric which branch off in crazy directions. The cut work is named for the technique of cutting out small areas of the backing fabric and then embroidering around them; cut work consists primarily of buttonhole stitching with decorative back stitching and satin stitched accents. Other names for cut work include Roman or Venetian embroidery.

So, you can browse through endless variety of embroidery and then get your favourite one on your custom apparel. This is the beauty of custom clothes that you can get them how you want!

What is the difference between needlepoint and embroidery ?

Embroidery, like the term needlework, is the all-inclusive generic name for stitches done with a needle and thread.

Needlepoint, also known as canvas work, is embroidery worked into an evenweave canvas to solidly cover the canvas weave. Traditionally the stitches were worked in wool resulting in a sturdy cover that served remarkably well for chair or bench covers, pillows, small rugs. Needlepoint was the go-to method for an upholstery piece or cover.

Surface stitchery, embroidery which is done on fabric stretched in a hoop, can be simple outlines on linens to solid motifs on jackets, sleeves, vests. This approach can be less formal than the familiar counted cross stitch on evenweave fabrics and may use many different stitches in different weights of cotton, silk or ribbon.

Today the lines have begun to blur between genres of embroidery. Surface stitchery is now being worked on canvas alongside traditional needlepoint stitches, with the finished piece finished from small ornaments to large framed pieces. Canvas are often hand-painted and interpreted in stitches leaving an ample amount of exposed colored canvas exposed between stitches for effect and texture. Beads, charms, and odd pieces are stitched into works for interest; novelty threads of straw, poly or metallic add spark.

Tradition still lives in continuing interest for older techniques such as hardanger, whitework, pulled thread work, colonial stumpwork, however a great deal of techniques are now blended into contemporary work that just ain’t your grandmother’s needlework any more

What is ribbon embroidery?

Ribbon Embroidery is an old art that uses ribbon or embroidery floss to stitch the patterns by hand on fabric. There are many different embroidery stitches. Basically there are five different stitches that can be used single or in combination that can create a large number of rows of floral repeating ideas and stitch patterns. The ribbon stitch is for ribbon only, but the lazy daisy, straight stitch, French knots ,Floral and Decorative, and stem stitch can be made with ribbon or thread

Helpful Guide to the Best Threads for Hand Embroidery

Hand embroidery is a tactile art. It begs to be touched! Why? Usually because texture and dimension are a noticeable part of embroidery.

Sometimes, texture and dimension happen accidentally, but often, designers purposely add dimension and texture to their embroidery projects in order to increase their beauty and interest.

In the first part of this series on dimension and texture in hand embroidery, we’re going to look at common embroidery threads and how their fiber, weight and twist help add dimension and texture to embroidery.

Different Embroidery Threads
Hand embroidery threads: cotton, wool and silk

While there are many types of threads on the market that can be used in hand embroidery, we’re going to concentrate first on the most common fibers used for surface embroidery: cotton, silk and wool.

Cotton embroidery thread

Stranded cotton

The most popular cotton thread used in hand embroidery is undoubtedly stranded cotton, which is also called “embroidery floss” in the United States.

Stranded cotton embroidery floss
Stranded cotton comes in skeins, and the whole thread that comes off the skein is divisible into six separate, fine threads. Each of these threads is made up of two smaller plies that are softly twisted together.

Because of its soft twist, texture and dimension depend more on the weight (thickness) of the floss and the type of stitch, rather than on the twist of the thread.

Sample stitches in green cotton embroidery thread
Stem stitch in stranded cotton with one to six strands of floss; photo via Needle ‘n Thread

When embroidering with stranded cotton, you can choose to use any number of strands, from one to six. If you use one strand of cotton, the resulting embroidery will be quite fine. As you add strands, the resulting embroidery becomes heavier. If you stitch with all six strands, the stitches become chunky.

The number of strands you choose depends on the look you’re trying to achieve. If you want to add more texture and dimension to your stitching, you can do so simply by using more strands in the needle at one time.

Close-up shot of green perle cotton thread
Perle cotton

Perle cotton is a non-divisible embroidery thread that is popularly used for needlepoint and surface embroidery. It is a non-divisible thread, which means you use it right off the skein without separating it.

Embroidery stitch samples in red perle thread
Made up of two plies, perle cotton is tightly twisted, so, overall, the thread achieves a much more textured effect in stitching than regular cotton floss does. Just by virtue of the twist of perle cotton, the thread already adds a certain texture to needlework. Because it is normally heavier than floss, line stitches like stem stitch and chain stitch usually sit higher up on the fabric, compared to the same stitches worked with floss.

Perle cotton comes in four sizes normally used in needlework: #3, #5, #8 and #12, with #3 being the heaviest and #12 being the finest.

Cotton floche thread
Other cotton threads for hand embroidery

Besides floss and perle cotton, there are other cottons created specifically for hand embroidery. These include floche and coton a broder, both of which are excellent hand embroidery threads. They’re both softly twisted threads, and they create a relatively smooth finish when stitched.

Cotton floche and perle cotton #3 in one project
In the photo above, the green hills, tree and sun are stitched in floche, while the sheep is embroidered with large, chunky French knots in perle cotton.

Silk threads

Silk is the Cadillac of embroidery threads. Of all natural embroidery fibers, silk is not only the strongest, but it also has the highest sheen.

Silk Embroidery Threads
Two types of silk are used in embroidery: spun silk, which is made from broken and leftover cocoons, and filament silk, which is made from single silk filaments as they are pulled from the whole cocoon.

Stranded silk, which behaves much like stranded cotton, is made from spun silk, while other silks (flat silks, buttonhole silks and other tightly twisted silks) are made from filament silk.

Consider silks almost the same way you consider cottons. The heavier the thread and the more tightly twisted it is, the more texture you can achieve with very little effort.

Wool embroidery threads

Wool embroidery threads (called crewel wool or tapestry wool) are perhaps the most tactile of the threads discussed so far.

Crewel embroidery with wool thread
Wool is hairy, after all!

Wool is a great choice of thread to use anywhere you wish to achieve a fuzzier effect on your embroidery.

Bunny embroidered in wool, with fluffy tail in velvet stitch.
In the photo above, the tiny bunny is stitched in wool, while the grass and flowers are stitched in cotton. Wool works well for animal coats!

 12 strands of wool, couched with perle cotton
When stitching with wool, you can use one strand or more in the needle at once.

Just as with cotton and silk, the number of strands you use will determine the thickness of the embroidery. Wool by nature is already thick and it covers quickly, but if you want chunky, wooly embroidery, just use more than one strand in the needle at once.

Putting it all together

Besides working with different weights of specific kinds of embroidery threads, combining various fibers together in one project creates contrast, which adds to the textural nature of the embroidery.

Crewel wool and Trebizond silk in woven stitch
In the photo above, silk and wool work together to create a woven filling that’s textured and dimensional. The thickness of the threads and a little felt padding underneath lift the embroidery off the ground fabric, and the different textures in the silk and the wool provide contrast and interest to the filling.

Wool, silk, cotton, synthetic and metal threads in one project
Above, I’ve combined wool, silk, cotton and some specialty threads in a variety of stitches to create a whole conglomeration of texture and dimension on the fabric surface